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Narrative Murder, My Sweet (1944):

Gumshoe Philip Marlowe is hired by the oafish Moose Malloy to track down his former girlfriend. He's also hired to accompany an effeminate playboy buy back some jewels. When the exchange results in the playboy's murder, Marlowe can't leave the case alone, and soon discovers it's related to Malloy's. As he gets drawn deeper into a complex web of intrigue by a mysterious blonde, the detective finds his own life in increasing jeopardy.

Casts of Murder, My Sweet:

Dick Powell, Claire Trevor, Anne Shirley, Mike Mazurki, Miles Mander, Otto Kruger, Douglas Walton, Donald Douglas, Esther Howard, Ralf Harolde

Haunted by a lovely face... hunted for another's crime!

Movie Description

Title: Murder, My Sweet

• Released: 1944-12-14


• Genre: Crime, Drama, Mystery, Thriller


• Date: 1944-12-14


• Runtime: 95 Minutes


• Company: RKO Radio Pictures


• Language: English


• Budget: $2,779,000


• Revenue: $773,230,000


• Plot Keyword : Crime, Drama, Mystery, Thriller


• Homepage:


• Trailer: View Trailer


• Director: Edward Stevenson, Vernon L. Walker, Carroll Clark, Roy Webb, Albert S. D'Agostino, Mel Berns, Darrell Silvera, Harry J. Wild, Raymond Chandler, Bailey Fesler

Learn More About Murder, My Sweet

The dark pit opened up and I dived right in!

Well well, here we have a noir film that really has to be one of the most divisive in the genre, it would seem that some feel it's closer in texture to what Raymond Chandler wrote, and that the portrayal of Phillip Marlowe by Dick Powell is spot on in its execution.

Many others disagree completely though...

Now since I haven't read any of the novels Chandler wrote I have no frame of reference there, but having watched The Big Sleep this past week I feel the push me pull you polar opposite feelings this film creates.

Phillip Marlowe (Dick Powell) is a gruff wise cracking private eye, he is hired by ex convict Moose Malloy (a splendid Mike Mazurki) to find former girlfriend Velma who has been missing for 6 years, this sends him spiralling into a web of deceit, blackmail, theft, murder, in short all the great ingredients for classic noir. For sure the film has a cracking plot that dovetails a treat, but is it dark enough to fully flesh out the material? I just got this annoying itch that where the film should be getting murkier and deadly dark it was in fact far too breezy. Powell does good enough, but the wisecracks to me became more of a hindrance than an enjoyment, I felt in short that I was being lifted out of the dark when I actually wanted to stay cloaked in mud.

The film is still an incredible watch, the photography from Harry Wild is lush, and the core essence of the story is bang on the money, while I should mention the cracking performances of the supporting cast as Claire Trevor and Otto Kruger join in the mystery to help raise the film to a higher standard. Some scenes are joyous in the extreme, witness a nightmare sequence that is as gorgeous as it is unnerving, and director Edward Dmytryk excels in creating a bleak topsy turvy underworld, I just wish that this particular film had done away with the airiness. 8/10